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Thread: Building the 4345/4344

  1. #121
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    Hi,

    Just just looked in BassBox and the stats in there are indeed similar. Oh well the audibility of the issue is certainly real, just the sensitivity was the only thing I could think of at the time to explain it.

    Regards Johns Nebel's equation, the other option is to raise the 2122H a notch and the horn and slot in equal incriments.

    I just think that when we start comparing models that the "0" positions on the Pads do not necessarily mean "flat" in a particular room and some adjustment of the pads is mandatory for the sweetest balance of lows, mids and hi's.

    The 4435 also have the flat power response unlike the 4343 so that blows equivelant pad settings to hell.

    Anyways I felt privileged to hear Mint 4343 and 4435's side by side.....a JBL wall of sound..WOW

    Ian

  2. #122
    Super Moderator Hofmannhp's Avatar
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    Re: Building the 4345/4344

    Originally posted by Ian Mackenzie
    Under Construction

    This thread will be dedicated to those members wishing to construct the vintage JBL 4345/4344 Professional Series Studio Monitors.

    Over the next few weeks I will document blue prints (in JBL Blue..LOL) and provide a Step by Step Guide to Enclosure and Crossover Network Design & Construction.
    ......Ian Mackenzie.
    Ian,

    sorry....saw this posting today......let me know if I can assist you in this job (I don't wanna disturb your circles with YOUR documents)

    HP

    PS: thanks for the drawings....I will wait for your reply
    Please help us save more info about the vintage systems. Let us register your speakers and drivers.

  3. #123
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    Well it does need completing but the interest died off when I made the great voyage to North America in search of the Pass and the Diva.

    Now that I have returned and washed my soiled denim from La Honda I will complete the journey here soon enough. Perhaps we should purge this work with the JBL Blue Thread (The Bermuda Triangle) before it gets covered in more graffitti.

    Ian
    Last edited by Ian Mackenzie; 06-27-2004 at 03:17 PM.

  4. #124
    Administrator Robh3606's Avatar
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    Hello Ian

    Will have these babies up and running by the weekend. Some odds and ends like wiring in your crossovers. But the cabinets are done and the driver loaded. Let you know how I like them.

    Rob
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  5. #125
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    Very nice Robert!



    Ian

  6. #126
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    here are some near field response measurements some of you might find interesting and useful.

    All measurements are taken with the drivers on the 4345 baffle with the crossover filters inserted. I did this to create a library of data for when I try to quad amp the system.


    This is the 2122 right channel

    Ian
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  7. #127
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    The 2122 left channel.

    The near field distance is about 1 foot. (30 cm)

    Ian
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  8. #128
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    The right channel 2307/2308 horn lense combination.

    Ian
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  9. #129
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    The left 2307/2308 horn lense combination

    Ian
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  10. #130
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    The 2405 slot right channel.

    Ian
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  11. #131
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    The 2405 left channel.

    Ian
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  12. #132
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    Here is an updated 2307/2308 response measurement. The 2308 has 4 mm of soft open cell foam packed in the rear of the lense.

    I have not done any subjective comparisons yet.

    Ian
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  13. #133
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    Here is the full system response at 1.5 metres, gated to minimise room effects. I a reflection free field environment I would expect this to be marginally smoother.

    The response about 15 kherts is down a bit, perhaps my 2405 need a some more joules! I plan to have all the compression driivers re gaussed soon.

    Ian
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  14. #134
    Senior Seņor boputnam's Avatar
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    Nice.

    Remind us about your measurement microphone - Panasonic, wasn't it?
    bo

    "Indeed, not!!"

  15. #135
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    Its the Panasonic.

    Technique matters as much as anything. I am research this and will post some information in a day or two.

    Bit like a surveyers or navigators instrument, in the wrong hands and your stuffed.

    Ian
    Last edited by Ian Mackenzie; 07-26-2004 at 03:28 AM.

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